Choreography

As a choreographer, I’m drawn to movement that tells stories, reveals relationships, and awakens something in the body, both for the performer and the audience. My background in physical theatre has given me a lens that’s less about perfection and more about presence. I’m not interested in dance for dance’s sake; I’m interested in how movement can heighten a moment, charge the air between characters, or give shape to something unspoken.

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I work from instinct and impulse, always in conversation with the music, the text, and the room. My choreography lives at the intersection of structure and spontaneity. I love crisp musicality just as much as I love raw, breath-driven improvisation. Whether I’m staging a stylized musical number or crafting a quiet, gestural sequence, I aim to create physical language that feels grounded, intentional, and alive.

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Over the years, I’ve had the chance to choreograph a range of pieces, from golden-age musicals to experimental devised work. I love the challenge of shaping movement across genres, always searching for the physical truth of each moment. I believe dance, like theatre, is most powerful when it reveals humanity, not just technique.

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Ultimately, I choreograph to connect. To bring people into rhythm with one another. To let the body speak when words no longer suffice.